Maggie Enterrios | Illustrator
For more than a decade, Maggie Enterrios has illustrated for high-visibility brands and publications worldwide including clients such as Apple, Google, Philosophy, and the Los Angeles Times. Recent projects include illustration and surface pattern systems created for officially licensed Bridgerton brand collaborations with Netflix, a named Artist’s Edition bottle series for Bombay Sapphire, and illustration for the official re-release of Twilight by Stephenie Meyer.
While rooted in illustration, Maggie’s practice centers on building visual systems that can scale. She works across a wide range of formats, from single bespoke illustrations to large product assortments and architectural applications, with a focus on adaptability across materials, sizes, and brand guidelines.
Across every project, her goal is to create art that bridges expressive illustration and practical design. The result is work that feels detailed and considered, while remaining infinitely adaptable to real-world branding contexts.
Selected Clients
Alpro
Altra
Apple
Arteza
Beekman 1802
Bombay Sapphire
Crayola
Dandelion Chocolate
DK Eyewitness
DSW
Elysian Brewing Company
Hachette Book Group
JOANN
Linnea’s Lights
Little, Brown Books for Young Readers
Los Angeles Times
Macmillan Publishers
Madam C. J. Walker Beauty Culture
Nature Conservancy Magazine
Naught Gin
Netflix
NPR
Owlcrate
Penguin Random House
Philosophy
Procreate
Publix
Ritzenhoff
Sephora
Shinsegae
SheaMoisture
Sipsmith Gin
Unilever
Zola
Illustration and pattern design by Maggie Enterrios for the Dove x Bridgerton collaboration. This licensed artwork reimagines traditional damask through a modern regency-core aesthetic, incorporating romantic wisteria and iconography from Bridgerton. The cohesive pattern system was applied across four Dove scent variants: Moonlit Masquerade, Whispering Wisteria, Love & Meadows, and Raspberry Rendezvous, supporting limited-edition consumer packaging.
I’ve had the joy of illustrating four consecutive holiday campaigns for Philosophy. For each collection, I created a scent-note-driven visual language for Amazing Grace, Pure Grace and more, illustrating expressive botanicals that capture the essence of each fragrance. These illustrations were applied across the brand’s holiday collections, from delicate on-pack details to full campaign visuals.
I was invited to design an original, fully bespoke illustration in my own creative voice to highlight their sustainably sourced botanicals. Along with creating the art-driven design, my name appeared on-pack, making me the first female artist to receive full credit on an Artist’s Edition release.
Created in collaboration with Netflix’s Bridgerton, this Williams Sonoma exclusive advent calendar celebrates Regency-inspired charm. I illustrated the exterior packaging with lush florals and ornamental details, designed to feel like a keepsake worthy of display.
Inside the calendar, the experience continues with playful tea party–inspired illustrations including bows, confections, and decorative elements that frame each daily reveal. Across eight days, the calendar unveils an assortment of chocolates, candies, shortbread, gummies, and truffles, turning the countdown into a moment of ritual and delight.
Saigon Baigur approached me to create a flexible, bespoke pattern that could be used across special-edition packaging as well as large-scale artwork within their distillery.
As a gin lover (you may have noticed?) I thought I’d seen and drawn it all when it came to gin botanicals. Saigon Baigur is a little different: it’s a premium dry gin from Ho Chi Minh City, Vietnam. In addition to many of the botanicals we commonly see in gins - juniper, coriander and angelica root - Saigon Baigur includes local Vietnamese botanicals, most of which I’d never drawn before. I was able to play around with such a rich selection: Buddha’s Hand, lotus flowers, Saigon cinnamon, Phu Quoc peppercorn, lemongrass and bird’s eye chili, among others.
Even more intriguing: I was asked to make a Vietnamese dragon front-and-center to the pattern design. This gave me the opportunity to dig into centuries-old illustrations, historical archives and learn so much more about the source material: it was an absolute honor to craft this artwork.
Jeni’s Ice Creams × Bridgerton Packaging Illustration | Maggie Enterrios
Illustrated packaging for Jeni’s Splendid Ice Creams’ official Bridgerton collaboration with Netflix, featuring custom Regency-inspired artwork by illustrator Maggie Enterrios.
SIP: 100 Gin Cocktails by Sipsmith
Book Cover Illustration
I was asked to illustrate the cover and interior spot illustrations for a new book by Sipsmith. The book, titled SIP: 100 Gin Cocktails with Only 3 Ingredients is filled with recipes for simple, gorgeous cocktails that can be made at home.
I created a tonal pattern of gin botanicals, glassware and cocktails in Sipsmith’s signature green, utilizing inverse line + fill colors to highlight specific areas of the artwork. As a gin fan, this one was a dream.
For Publix’s newest flavor, Marry Me Strawberry, I was asked to illustrate a wrap-around pattern of berries and strawberry blossoms. We wanted the berries to read as super fresh while keeping a fairly limited, romantic palette. My goal was to make the pattern feel delightfully indulgent, and I loved leaning into the sweetness of the flavor and letting it guide the illustration.
For the 20th anniversary of Twilight, I was commissioned to completely reimagine one of the world’s most recognizable book covers as a vintage coming-of-age novel, the very genre that Bella Swan cherishes within the story. For the Deluxe Collector's Edition, Twilight is reinterpreted through her eyes: with passion and gothic tension informing the direction of my cover illustration.
Knowing the illustrative focus would be on botanicals, apple blossom flowers lent themselves perfectly to the brief - a nod to the original cover - but with a vintage twist. We chose a color palette that interpreted the apple’s symbolism anew: danger wrapped in beauty, light + dark, innocence + danger.
For the last three years, I’ve had so much fun illustrating art-forward features for Nature Conservancy Magazine, each one pairing scientific storytelling with imaginative full-bleed illustrations.
My pieces include “Moonstruck,” illustrating how the lunar cycle affects plant and animal life; “Tidal Treasures,” a dense wallpaper of shells and sea creatures for a story on the science of shells; and “The Dark Ecology of Predatory Plants,” a vivid exploration of carnivorous species like Venus flytraps and pitcher plants. Across all three, I’m given the freedom to build fantastical scenes while staying rooted in real biology.
As my second contribution to the publication, I was commissioned by the Los Angeles Times to create a dense, full-page cover illustration for The Weekend section.
The illustrations were designed to shocase a botanical exploration of LA-native botanicals alongside a service piece that recommends the best nurseries for shopping for native plants for your home garden.
I created several illustration sets for Beekman 1802, including packaging for individual products and for their much-loved holiday limited-edition collection.
Arcadia: I illustrated a flexible all-over pattern and spot illustrations created for Beekman 1802's Arcadia product range - described as a pastoral paradise with notes of sweet autumn clematis, jasmine and a hint of almond.